With a threshold of up to -50 dB and a ratio of up to 10:1, the CPR-250 enables virtually any task in post-processing the dynamics of audio material, from a slight loudness boost to extreme dynamic changes. An integrated low-cut in the reference signal path allows for more punch for kick and bass even with heavy compression. Combined with three different RMS calculation algorithms, the CPT-250 is ideal as a mastering compressor.
In addition to the set characteristic curve, the display shows the dynamic control curve in a choice of six different time bases.
